3D Artist

Round Ornament made for the Polycount Substance Designer Challenge. 100% Procedural, made in Substance Designer and rendered in Marmoset Toolbag

Procedural Aged Wood Planks, 100% Substance Designer. Rendered in Marmoset Toolbag. Hi res on artstation link provided.

Procedural Sharp Cliff Face. 100% Substance Designer, rendered in Marmoset

Procedural Sponge, made in Substance Designer, rendered in Marmoset Toolbag

Procedural Chesterfield Leather Couch, made in Substance Designer, rendered in Marmoset Toolbag

Procedural Terracotta Tiles, made in Substance Designer, rendered in Marmoset Toolbag

Procedural stone wall, made in Substance Designer and rendered in Toolbag 3

Procedural Parquet flooring, 100% substance designer - rendered in Toolbag 3

a little animation with my character Max. Plays better with sound.

Personal project, concept through to final comp.
Modo, Advanced Skeleton, Maya, Arnold, AE.

This was my character I submitted for my last assessment, I concepted her from start to finish and had a lot of fun in the process.

I will most likely put her through a second pass as I want to include her into a larger project at a later date, I've realised a lot of things since setting the file aside and would like to apply my new-found knowledge.

I've put a Sketchfab link below and I welcome and feedback or comments.

Concept attached.
A low poly stylized environment of ancient ruins. The environment comprises of 33 assets. All renders have no post processing outside of unreal engine. Landscape was unreal engine's default landscape builder.

A low poly stylized environment of ancient ruins. The environment comprises of 33 assets. All renders have no post processing outside of unreal engine. Landscape was unreal engine's default landscape builder.

An sci fi environment made to work in unreal engine 4. (4.15). My pipeline involved low to high poly modelling in Maya with modular methodologies. Texturing and baking of normals was all done in Substance Painter and finally rendering, lighting and composition all in Unreal Engine. Very pleased with the ease of this pipeline with minimal need to go back and forth.

A bio mechanical real time environment composed in unreal engine 4. Images supplied have no additional post processing out side of Unreal Engine. Two variations of lighting. Software used: Zbrush, Substance Painter, Maya and Unreal Engine.